The Minolta SRT 201 is my all-time favorite camera. This is not because it does any one thing well, but rather that it does nothing wrong at all. A lot of photographers swear by gear that isn’t necessarily the best or most expensive, instead opting for gear that is familiar and reliable. The SRT 201 is the epitome of this concept. It has been my faithful workhorse. It was my first real SLR when I was learning to take pictures back in the 10th grade. If it wasn’t for this piece of glass and metal, I might not consider myself to be a photographer today.
The SRT is built like a tank. The heft when you first pick it up is substantial, and makes you realize you are holding a proper photographer’s tool. The mechanical operation is satisfying and feels durable. I’ve used mine without issue for the better part of decade, and despite the camera being 43 years old, I have never had a single problem with it. Every button and dial answers with a substantive click that really inspires confidence in the mechanism. Even my darling Contax 167MT, with its electric shutter and Zeiss lenses, lacks such a substantive feel. The Contax always sounds like it will break if I look at it the wrong way, whereas the Minolta would survive an expedition to Siberia and back.
Minolta lenses aren’t quite Zeiss sharp, but they are certainly close-enough. Some of my favorite pictures have been taken with either this camera, or one of its lenses strapped to my Sony A7. Because there is no modern brand equivalent to the Minolta, old bodies and lenses don’t command as high a price as you might expect for the quality. The 54mm f/1.4 in particular is a bargain lens with a razor thin depth of field. The lenses are solidly constructed metal, and despite years of throwing mine into a rucksack (sometimes with no protection other than two lens caps), they have worked without fail and show no signs of stopping.
The metering system is through-the-lens (TTL) and can be read via a little needle and matching circle on the right side of the viewfinder. You can engage the meter via a small knurled switch on the bottom of the camera, (you will need to use your fingernail to move it, which isn’t the most comfortable thing in the world). This on/off switch is beyond useful, as I haven’t changed my camera battery in about five years, and it is still working. I find the SRT’s metering to be uncommonly accurate. Only under the most difficult of lighting conditions do I find I need to do much exposure editing in Lightroom. Typically, what the camera gives me is spot-on. Over the years, I’ve certainly grown to trust this camera’s metering just as much as I have its mechanical operation.
If it sounds like I’m in love with this camera, it’s probably because I am. Though I am experimenting with Contax Zeiss lenses now to get that little extra bit of sharpness, it’ll be hard to beat the already stellar kit of Minolta lenses I have at my disposal. The SRT 201 is a faithful photographer’s companion. It has seen me through every phase in my learning of photography, and whether it be the camera body or its lenses, this setup continues to earn near constant use from me no matter what photographic endeavor I am setting out on. If you can get one in as mint condition as I have, you will not be disappointed.
Below you will find a small gallery of some of my favorite snapshots I’ve taken over the years with this camera. They are either with the aforementioned 54mm f/1.4 or the 24mm f/2.8.
9 thoughts on “Minolta SRT 201 Review: A Most Faithful Camera”
My dad had a Minolta SR-7 that he got on a business trip to Japan, about 1965
My first partner, had a Minolta SRT-101, I believe, that I took slides of historic theatres, for years…… of course back then, you expected things to be solid, and well made….. so it was just the norm!
Today, is another story….. about quality, and build….
Amyway just inherited my dads SR-7, and realized just how fine it was…. so ordered one for a friend, and got myself, a black SRT 201….. and I agree with your whole review.
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Thanks so much for the comment. I received my SRT 201 from the boyfriend of one of my distant cousins, and it has worked flawlessly ever since. I love the way that such simple and ordinary objects can carry with them so much personal history.
Yes, cameras, typewriters, etc have sometimes had interesting lives….. if only they could tell us their stories.
I’ve thought many times, about making up stories for these things we love….. could be kinda fun!
Came across one and decided to do some research apparently i acquired a gem thanks for the insightful review. Im excited to use it
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Thank you so much for the comment and for reading! I hope you have had as much joy using your camera as I have with mine.
I just found my late grandfather’s minolta srt 201 and I have no experience in photography. So far I’ve done a lot of research on the camera and how to get a good photo. (I’m very excited to get into photography) There’s so much information on this camera but all of the info about what battery I need is really confusing to me. So where did you get yours?
Agreed with all you wrote except the low temp function. My 201 shutter sticks shooting below 0 F. Then again, so do I.
Uses modern batteries? How neat, may get a 201 or 200 so that good news. What type works best for you? Your article well written and just might lead to ordering one of these vintage cams. Thanks.
Great review, that lines up with my own experience with this beautiful piece of photographic history! My grandmother gave me her SR-T 201 back in the 80’s when I was in Junior High, and I ended up making my own darkroom below our stairs to learn to develop my own photos. I have missed my Minolta ever since I traded it in for a Canon EOS 620 when I was in High School (or a little after).
Thanks for your passion! Chris